Reviewed by: Albert Salinas - Spring
2000
Style/Form: |
Intro (m.1 - 4); Theme (m.5 - 12); Theme (m.13 - 28);
Theme (m.29 - 48); Theme (m.49 - 110); ending (m.111 - 130) |
Key Signatures:
(concert pitch) |
Three flats |
Time Signatures: |
2/2 |
Ranges:
|
Woodwinds:
Piccolo up to e2, down to b-flat; Flute up to f2, down
to g; Oboe up to b-flat1, down to g; Bassoon up to c, down to EE; Clarinet
1 up to c2, down to G; Clarinet 2 up to f1, down to G; Clarinet 3 up to
f1, down to G; Bass Clarinet up to c1, down to F; Alto Sax up to c2, down
to e; Tenor Sax up to c2, down to f; Bari Sax up to g1, down to c
Brass:
Trumpet 1 up to g1, down to c; Trumpet 2 up to f1, down
to c; Trumpet 3 up to f1, down to c; Horn in F 1 up to f1, down to c; Horn
in F 2 up to f1, down to c; Trombone 1 up to e, down to E-flat; Trombone
2 up to d, down to E-flat; Trombone 3 up to e, down to BB-flat; Euphonium
up to e, down to BB-flat; Tuba up to C, down to AAA-flat
|
Rhythms:
|
Winds:
Percussion:
|
Instrumentation: |
Piccolo, Flute, Oboe, Clarinet 1, Clarinet 2, Clarinet
3, Bass Clarinet, Bassoon, Alto Sax, Tenor Sax, Bari Sax, Trumpet 1, Trumpet
2, Trumpet 3, Horn in F 1, Horn in F 2, Trombone 1, Trombone 2, Trombone
3, Euphonium, Tuba |
Percussion: |
Snare Drum, Bass Drum, Crash Cymbals, Suspended Cymbal,
Triangle |
Conductor Score: |
Full score |
Length/Timing: |
2 minutes, 45 seconds (130 measures) |
Comments: |
-
Should be approached in the grand tradition of the British
wind band
-
Opening and closing sections should be played lightly and
marchlike
-
Middle section should be played broadly and lyrically
-
Attention to articulations and dynamics are critical
-
Cut-time might prove challenging to younger band
-
Dynamics used are f, mp, p
-
Cues are to be used when necessary and at the discretion
of the director
-
Contrasts in dynamics and shaping of lines requires mature
ensemble
|